Exhibition Posts

Installation photographs of the exhibition history of Chris Page.

Eyes Toward Heaven

October 28–January 8, 2016

Brattleboro Museum and Art Center
Brattleboro, VT

Statements are below the images from the exhibition.

 Installation shot from Chris Page: EYES TOWARD HEAVEN, Brattleboro Museuam and Art Center, 2016
Eyes Towrd Heaven III
BMAC Eyes Towrard Heaven  I, Video
BMAC Eyes Towrard Heaven  I, II, III

Statements from the Exhibition

RECENTLY, ON A VERMONT HILLSIDE, my four-year-old grandniece plopped herself on the ground, patted the space next to her, and invited me lie down to watch the clouds. I couldn’t remember the last time I eliminated the horizon from my field of vision to focus solely on the clouds. It was magical.

In Eyes Toward Heaven Chris Page creates an immersive installation that brings us back to the childhood act of cloud gazing. It is a space where time slows as we contemplate minute shifts in color and form. Page’s clouds possess their own internal, pictorial logic and materiality. While each component painting is a beautiful abstraction, together they offer a portrait of the sky in motion. The expressive and metaphoric potential of the work is limited only—as it is when one lies on a hill gazing up—by the viewer’s imagination.

— Mara Williams, Chief Curator

MY WORK IS BASED ON SEEING the everyday world as a door into the remarkable, where a moment opens into the timeless. Walks in nature are integral to my art practice: traversing open spaces, feeling the quality of the air, listening to the wind and birds, and experiencing the spacious wilderness of our common ceiling. During these walks I take documentary photographs that serve as source material for my paintings.

Eyes Toward Heaven reflects a walk on July 18, 2016, in the fields of the Connecticut River Valley in Hadley, Massachusetts. The three large- scale paintings express distinct moments during a 25-minute period of transformation in the daytime sky.

In my art I strive to reflect moments of awareness by using a sequence of multiple images to awaken a sense of the sublime. Working intuitively I apply acrylic paint in a broad range of techniques, frequently repeating gestures to build up complex rhythms and spaces. Whether taking photo- graphs or painting, I enter into a state of flow aiming to capture, or express, a continuous, unfolding quality of time.

— Chris Page